Red Thread explores continuity across a form that initially appears fragmented. Dark concrete planes overlap around an inset red surface, which acts as a visual connection between the different elevations. Seen frontally, that inset becomes almost a drawn line; viewed obliquely, it gains depth and begins to read as an architectural threshold.
The render selection pairs those readings to show how a strong graphic gesture can remain part of a spatial composition. As a Geometricism massing study, the project focuses on contrast, depth and the relationship between faces of an object, leaving its eventual scale and function open.
