Citrus translates the segmentation of a natural form into a pleated circular object. Alternating warm red and pale surfaces meet at a tight central point, producing a pattern that changes with the angle of the folds and the direction of the light. The design is explored as a sculptural wall piece, where its shallow depth allows it to sit between an image and an object.
Close renders concentrate on the convergence of the pleats, while interior views test its presence against a quieter architectural background. The study asks how much visual movement can come from a simple radial arrangement without relying on a complex overall silhouette.
